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Otto Venino
| Name | Otto Venino |
| Ortssitz | New York City |
| Straße | Broadway 744 |
| Art des Unternehmens | Maleratelier |
| Anmerkungen | Adresse (um 1884): No. 744 Broadway, Ecke Astor Place. |
| Quellenangaben | [New Yorks great industries (1884) 128] |
| Zeit |
Ereignis |
| 1880 |
Tod von O. Venino |
| Produkt |
ab |
Bem. |
bis |
Bem. |
Kommentar |
| Gemälde |
1884 |
[New Yorks great ind. (1884)] |
1884 |
[New Yorks great ind. (1884)] |
Artist |
| ZEIT | 1884 |
| THEMA | Firmendarstellung |
| TEXT | A name as widely known as it is honored in art circles is that of Venino. The late Mr. Venino, whose regrettable decease occurred in 1880, was an artist of genius and wide fame, among whose celebrated works are those beautiful pictures "The Fall of Carthage," "King Lear and Cordelia in Prison," "Too Late," and many other chef d'oeuvres. He built up an unsurpassed reputation for conscientious and talented work, and included among his patrons our best people and most prominent art connoisseurs. Mr. Otto Venino, his son, early displayed a leaning toward the profession, and has manifested great gifts as an artist. He was formerly with Mr. Kurtz, the well known photo-artist of Madison Square, and did some of the fine work in that gentleman's studio. Upon the decease of his father, Mr. Venino started out for himself, and has one of the most centrally located and attractive studios in New York. It is elegantly fitted up, and contains a splendid array of specimens of Mr. Venino's genius. He makes a specialty of portraits, doing them in all styles, crayon, india-ink, water-color, pastel, etc. He has acquired a distinguished reputation in our best circles, and a sufficient proof of the superiority and popularity of his work is that he completed one hundred and sixty-three first-class portraits last year. His fidelity to detail, brilliancy of touch, and ability to preserve every feature of the most speaking likenesses, go to prove that he is an artist of true genius, and animated with but the one aim, to excel in his chosen profession. He has testimonials from the best men in New York, according him the highest of compliments for his wonderful success, and which has within a comparatively brief period placed him at the head of his profession in the metropolis, and which ensures for him an international reputation as one of America's artists. |
| QUELLE | [New Yorks great industries (1884) 128] |
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